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ps
co wy chcecie od tych rozważań Colhe'a?

Czego się spodziewać po optymistach, którzy swoją świadomość oszukują w jeden z czterech sposobów, o których pisze Ligotti (niektóre kwestie Rusta są żywcem wzięte z tekstów tego pana) za Peterem Zapffe. W "The Conspiracy against the Human Race" tego pierwszego znajdujemy:

The first was that consciousness had overreached the point of being a sufferable property of our species, and to minimize this problem we must minimize our consciousness. From the many and various ways this may be done, Zapffe chose to hone in on four principal strategies. (1) ISOLATION. So that we may live without going into a free-fall of trepidation, we isolate the dire facts of being alive by relegating them to a remote compartment of our minds. They are the lunatic family members in the attic whose existence we deny in a conspiracy of silence. (2) ANCHORING. To stabilize our lives in the tempestuous waters of chaos, we conspire to anchor them in metaphysical and institutional “verities”— God, Morality, Natural Law, Country, Family— that inebriate us with a sense of being official, authentic, and safe in our beds. (3) DISTRACTION. To keep our minds unreflective of a world of horrors, we distract them with a world of trifling or momentous trash. The most operant method for furthering the conspiracy, it is in continuous employ and demands only that people keep their eyes on the ball— or their television sets, their government’s foreign policy, their science projects, their careers, their place in society or the universe, etc. (4) SUBLIMATION. That we might annul a paralyzing stage fright at what may happen to even the soundest bodies and minds, we sublimate our fears by making an open display of them. In the Zapffean sense, sublimation is the rarest technique utilized for conspiring against the human race. Putting into play both deviousness and skill, this is what thinkers and artistic types do when they recycle the most demoralizing and unnerving aspects of life as works in which the worst fortunes of humanity are presented in a stylized and removed manner as entertainment. In so many words, these thinkers and artistic types confect products that provide an escape from our suffering by a bogus simulation of it— a tragic drama or philosophical woolgathering, for instance. Zapffe uses “The Last Messiah” to showcase how a literary-philosophical composition cannot perturb its creator or anyone else with the severity of true-to-life horrors but only provide a pale representation of these horrors, just as a King Lear’s weeping for his dead daughter Cordelia cannot rend its audience with the throes of the real thing.

Rust jest głosem rozsądku w tym serialu, tylko na koniec mu się pogarsza.